AI Embroidery Digitizer

There are five ways to get from artwork to a stitch file, and each suits somebody. A bureau gives you judgment and someone to call. A freelancer gives you similar work for less, with more variance. Desktop software gives you the tools and leaves the judgment to you. Stitch AI makes the decisions a tracer cannot, shows its reasoning, and leaves the sample sew-out to you.

Costs below are ranges, not quotes.

An agent plans a piece of work, carries it out, checks the result against the plan, and changes the plan when the check fails. Auto-digitize is the second step alone: a tracer applies one rule set to every region. The difference is the loop, not a bigger model.

In Stitch AI the loop runs on a real file. Every shape is sewn as one object with underlay and lock stitches, travel is walked under later thread or cut, and every stitch is kept between 0.5 and 7 mm. If you set a stitch budget, each step toward it is reported.

Every count you see is read back from the finished file itself.

• Plan. A model reads the artwork and writes a treatment for every shape, plus what thread cannot reproduce.
• Sew. The plan becomes a DST, one object per shape, travel hidden or cut, lettering sewn word by word.
• Verify. The file is read back from its own bytes and checked for short stitches and long jumps; you see the findings.
• Revise. At medium and high effort a second model inspects the sewn result and the plan is corrected before the file returns.

Most of a digitizing day is not judgment, it is the first pass: tracing shapes, choosing fill or satin, setting angles and densities, sequencing colours, laying underlay, walking the travel, placing the trims. Stitch AI by Dynamic Mockups does that pass while you look at the next job, sews the result on screen, reads the file back from its own bytes and hands you the plan with a written list of every place it compromised.

Your hours go to the work that needs a digitizer: reviewing that list, refining the shapes that carry the design, quoting. Every job starts at review instead of at a blank canvas, and the file arrives in the software you already use.

• First pass done. Shapes, fill or satin, angles, densities, colour sequence, underlay, travel and trims are planned before you open the file.
• A written review list. Every compromise is written down, what was simplified, merged or dropped and why, so you go straight to the decisions.
• Checked before the sew-out. The file is read back and checked for short stitches, long jumps and stitch-length limits, so the test piece confirms what you expect.
• Quotes from the sheet. Stitch count, colour changes and trims sit on the operator sheet the moment the plan is done, so the quote goes out while the customer is still on the line.
• Repeatable settings. Fabric and garment profiles set pull compensation and underlay the same way every run; the per-lot tuning stays yours.
• Your tools, your finish. A standard DST: open it in Wilcom, Hatch or Embrilliance and refine the way you always have, or refine it in the studio here.

A bureau charges roughly $10 to $60 for a simple logo, more for complex art, plus rush fees. Here the preview is free and needs no account; the DST needs a free account and is free right now. If that changes, the price will be on the pricing page.

Whatever you download is yours. The DST opens in any stitch software and sews on any machine that reads the format, whether or not you log in here again.